| MUSICIANS: |
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| Earl Green | vocals |
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| Roger 'Mad Dog' Cohen | guitar |
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| Andy Cooper | organ |
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| Andy Dummet | tenor sax |
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| Alex Garnett | tenor sax |
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| David Hadley | bass |
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| Alan Hawkins | drums |
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| Gwyn Hood | bass |
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| Gary 'Gus' Jerreat | guitar |
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| Frank Mead | tenor sax, alto sax |
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| Peter Miles | drums |
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| Noel Norris | trumpet |
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| Nick Payn | tenor sax, baritone sax |
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| David Plotel | guitar |
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| Jon Plotel | bass, guitar | |
| Lee Sankey | harmonica | |
| Todd Sharpville | guitar | |
| Richard Simmons | piano, Hammond organ, keyboards | |
| 'Mackie' Julian Subero | congas, percussion | |
| Joe Louis Walker | guitar | |
| Steve Washington | drums |
"World class British Rhythm & Blues bands are not, contrary to the
common belief of trainspotters, a rare phenomenon. Most of the components
are out there in abundance. We do, however, often fall down in one essential
department; the all important, totally convincing frontman. Sure, our stages
are regularly graced by the likes of such immense talents as James Hunter
and Mickey Sanchez but there never seem to be enough artists of their quality
to convincingly front the abundance of amazing musicians with which we
are blessed.
I was therefore absolutely delighted to learn, early in 1995, that
the formidable vocalist Earl Green had decided to create his own band.
I had first made the acquaintance of Earl Green in the days when he fronted
Otis Grand & The Dance Kings. As excellent as they were, I always felt
that Earl was too rarely given the space to fully demonstrate his impressive
talent, sandwiched as he was between the superbly executed but seemingly
endless guitar solos of the bandleader.
On Sunday April 2nd 1995, I was privileged to witness the debut of
The Earl Green Band at the 100 Club. An inspired selection of band personnel,
an unusually imaginative choice of covers coupled with superbly crafted
original material made for a truly memorable show. Since that date, Earl
and the band have gone from strength to strength consolidating their position
at the forefront of the British Rhythm & Blues scene.
Neatly bypassing the notorious indifference of most English Blues record
labels, Earl initiated his own recording project, assisted by a commendably
positive attitude from his band and guest musicians, the skill and enthusiasm
of recording engineer Gary Campbell plus the encouragement and help of
such luminaries as blues guitar master Joe Louis Walker.
This CD is the result of those various collaborations. So settle down
in your favourite armchair, clamp on the headphones, turn up the volume
and above all, fasten your seatbelt, as you enjoy the immaculate and positively
sizzling, British Rhythm & Blues of the consummately professional yet
thoroughly charming Earl Green!" Steve Beggs. May 1996
If you have any questions or if you want further information, please
send me an eMail:
eMail to Petra 'Beedie'
This site is maintained by Petra 'Beedie'
Petra@paullamb.com
FidoNet: 2:2444/1170.88